Free PDF Florentine Codex: Book 2: Book 2: The Ceremonies (Florentine Codex: General History of the Things of New Spain), by Bernardino de Sahagun
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Florentine Codex: Book 2: Book 2: The Ceremonies (Florentine Codex: General History of the Things of New Spain), by Bernardino de Sahagun
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Two of the world’s leading scholars of the Aztec language and culture have translated Sahag�n’s monumental and encyclopedic study of native life in Mexico at the time of the Spanish Conquest. This immense undertaking is the first complete translation into any language of Sahag�n’s Nahuatl text, and represents one of the most distinguished contributions in the fields of anthropology, ethnography, and linguistics.
Written between 1540 and 1585, the Florentine Codex (so named because the manuscript has been part of the Laurentian Library’s collections since at least 1791) is the most authoritative statement we have of the Aztecs’ lifeways and traditions—a rich and intimate yet panoramic view of a doomed people.
The Florentine Codex is divided by subject area into twelve books and includes over 2,000 illustrations drawn by Nahua artists in the sixteenth century.
Book Two gives comprehensive accounts of the religious ceremonies and days of feasting during the time of the Aztecs, including prayers, songs, and the duties and roles of Aztecs inside the temples during the ceremonies. This book also details the various tributes and sacrifices given to specific gods.
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- Sales Rank: #1182795 in Books
- Brand: Brand: University of Utah Press
- Published on: 2012-03-15
- Original language: English
- Number of items: 1
- Dimensions: 11.00" h x .70" w x 8.50" l, 1.70 pounds
- Binding: Paperback
- 256 pages
- Used Book in Good Condition
Review
“Highly recommended for all academic and large public libraries.”—Choice
“A great scholarly enterprise.”—New Mexico Historical Review
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“Bringing the knowledge of modern scholarship to bear on their materials, the translators have been able to illuminate many obscurities in the text. The complete series of volumes is a landmark of scholarly achievement.”—The New Mexican
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“This publication of Sahag�n makes available to scholars and their students alike the original Nahuatl text for comparison with the more easily accessible Spanish text, which is in many places merely an abridgment or pr�cis of the original. A whole series of native sources for the study of Mexican pre-conquest history is now at hand for a field of historical study formerly restricted to a small number of investigators. A whole chapter of the cultural history of early Colonial Mexico is unfolding before us. [The Codex is] an impressive monument to Spanish humanism in the sixteenth-century New World.”—The Hispanic American Historical Review
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“Sahag�n emerges as the indisputable founder of ethnographic science. The accomplishments of the joint translators, Dibble and Anderson, will surely rank among the greatest achievements of American ethnohistorical scholarship.”—Natural History
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Language Notes
Text: English
About the Author
Bernardino de Sahag n (Sahag n ca. 1499-Ciudad de M xico, 1590), Espa a. Su nombre original es Bernardino de Rivera. Sahag n escribi en n huatl y castellano, y su obra es muy valiosa para la reconstrucci n de la historia del M xico anterior a la Conquista. Hacia 1520 Sahag n estudi en la Universidad de Salamanca. All aprendi lat n, historia, filosof a y teolog a. Hacia 1525 entr en la orden franciscana y en 1529 se fue a M xico en misi n con otros frailes, encabezados por fray Antonio de Ciudad Rodrigo. En 1536 Bernardino de Sahag n fund el Imperial Colegio de la Santa Cruz de Tlaltelulco. Desde el comienzo ense lat n all . El prop sito del Colegio era la instrucci n acad mica y religiosa de j venes de la nobleza nahualt. Bernardino estuvo luego en conventos de Xochimilco, Huejotzingo y Cholula;fue misionero en Puebla, Tula y Tepeapulco (1539-1558);definidor provincial y visitador de la Custodia de Michoac n (1558). En 1577 sus trabajos fueron confiscados por orden real y sus investigaciones sobre el mundo azteca fueron mal consideradas.
Arthur J. O. Anderson (1907 1996) was renowned for his and Charles E.Dibble's translation of the "Florentine Codex" by Fray Bernardino de Sahagun.
Most helpful customer reviews
10 of 10 people found the following review helpful.
This Book Opened a Whole New World for Me!
By Sandyslope
Thank you to Amazon for carrying this book and getting it to me so quickly. I won't be truly objective, because I am a niece of Dr. Dibble. As a child, on more than one occasion, I took a peek into his very large study, and did not understand the stacks of papers and huge table which held them. The shelves of books and large desk made me curious, but not brave enough to enter where I had not a right to be.
He was so quiet and kind, but never at all inclined to boast or even talk about his achievements, so here I am at age 69, looking for the first time. I am not an academic, but I am always curious about other cultures and about history in general. I bought volume II from Amazon, after checking the price for the whole set, and knew I would have to settle for just one book right now! Checking the internet for input, I ordered this volume - recommended on one site as a good place to begin.
I was not surprised, because I knew generally what the works covered and how they came about, but I was very pleased to read a small part of what took a lifetime of total immersion in acadaemia to come to fruition. Each page contains two columns. On the right of the page is the Spanish translation of the codices. The left column contains the English translation, as agreed upon by the two professors, Drs. Johnson and Dibble - after individual translation and then correspondance and consultaion and probably compromise. A short way into the book, the Spanish translation gives way to Nahuatl, the language of the Aztec remnants who helped the Spanish Fra who collected the codices and began the manuscripts. It is a fascinating look at a language which is full of "X's" and does not follow English or Spanish pronunciation rules; but the really amazing and spellbinding thing for me is the English translation of the seaasons and ceremonies of sacrifice that were part of the Aztec way. This is a volume (I could only wish to have all 13 in my poaaession!) that explains what happened on those Central American pyramids, and the reasons for the ceremonies (and much more). I now know where one of the Indiana Jones movies got an idea for some of its content....but this is no movie!
The book intrigues me. I have read much of it to my husband. We marvel at the look backwards into another civilization and culture. It should be on the shelves of every person who has any interest at all in Aztec civilization, because it is real. These are the facts that can only truly be seen in original translation of language and heiroglyph. The University of Utah Press has done a magnificent work in formatting and printing this series. There are some amazing copies of the orignal Aztec figures, from which the Spanish and Nahuatl translations were taken.
This is NOT someone's condensed version of a general idea that they read once. This is original research and translation. It is not difficult to read. Buy one copy or the whole set! Coming to understand the processes by which this book came about, and then learning and marveling, has been a wonderful thing for me. It should be on every bookshelf. It will be going to my children and grandchildren as an absolutely necessary reference, a good read, and a look into family excellence. Only once have I known such a scholar!.....and I know that I must now have more of what he spent a lifetime, heart, and soul working on.
3 of 12 people found the following review helpful.
Absolutely awesome information regarding the other side of the story as ...
By Linda Johnson
Absolutely awesome information regarding the other side of the story as it relates to the Spanish Conquest of New Spain. It is common knowledge that millions of natives died because of the Spanish invasion of their homeland, but not all due to "evil" Conquistadores. Cortez had no other choice but to stop the massive sacrificial madness, as well as the cannibalism associated with it. I believe that the victims of the sacrifices petitioned Cortez to do the right thing and stop the madness.
I love these books, but the art work is out of this world!
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